Browsing by Author "Sanjeeda Hossein"

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    'Amok' in Frank Swettenham's Malay Sketches and Isabella Bird's The Golden Chenonese
    (North South University, 2021) Sanjeeda Hossein; Dr. A.Q.M.A. Rahman Bhuiyan
    Motifs of colonial ideology like 'amok' arc fostered by the ',nosh colonial rule: they are embedded rn its colonial discount. Daring the lime of Booth Colonisation in the Mislay 'annuli,. amok meant a wsktary man in a frenzy. =mots with a down losses. Therefore. it is related to colonial for and arnica. From his posmon as an ambonvatoe male colonial administrator. Frank Sas-ttenhun consul-so the mina of amok to Jamb lintish colonial control. On the other hand. Isabella Mad as a woman %tier stouts ahem the East dewntas amok'tam the twcotaws of male British adnunistralets to make her narrative realistic and matting Roth of ten writings strengthened the Ms": of owk within the colonial academic scholarship and administration. This perpetuated the Booth colonial regime in the Malay Peninsula flus Foga will >Mow how Frank Ssattenhank in has Afaloy Stoehr, and Isabella Bird in ha the Insfilevi Carnotwae. dtaia amok as a keno among dans-nail Malays that rowers to he controlled through colonial imenentan. By dams sa n will do a closer inscstiastion of lama as a motif in colonial discourse that perpetuates colonial authotity ova the colonized Keywords knot Prins!, Colonial Asbninistrarion The Akalas Peninsula Colonial smmery